Dr. Brona Martin is an Electroacoustic composer and sound artist from Banagher, Co. Offaly, Ireland. Her compositions explore narrative in Electroacoustic music, acoustic ecology and spatialisation techniques through the creation of metaphorical and real-world representations of soundscapes where the aim is to reveal particular sonic characters that are not normally the focus of listening. Brona's portfolio of works explore the layers and textures of sounds that contribute to the overall sonic-makeup of specific places both real and imaginary. Through listening, recording, analysing and processing, the layers of a soundscape are studied in great detail.
Brona's artistic portfolio offers an in depth and alternative listening perspective and experience where the complexity of everyday sounds are examined and rearranged into a new context. References are also made to the design of the acoustic environment where noise pollution often masks the more pleasant sounds of the natural environment.
Her research also explores ways in which creative music technology can be more inclusive and diverse through the facilitation of community engagement projects and also thinking about ways in which her research can be presented to wider audiences. She is currently exploring ways in which different media are being used to bring soundscape studies into the wider community through VR projects, smart phone applications and streaming technologies.
Her works have been performed internationally at EMS, ACMC, ICMC, NYCEMF, ISSTA, ZKM, BEAST, Balance/Unbalance, SSSP, iFIMPaC, Sonorities and MANTIS. She has been guest composer at EMS, Stockholm and Associate Artist in Residence at Atlantic Centre for the Arts, Florida.
Brona is currently a Research Associate at the University of Kent, on the AHRC funded project, A Sonic Palimpsest: Revisiting Chatham Historic Dockyards. She is also a member of the SOUND/IMAGE Research group at the University of Greenwich.
Have a listen to some of her work here.
Brona's artistic portfolio offers an in depth and alternative listening perspective and experience where the complexity of everyday sounds are examined and rearranged into a new context. References are also made to the design of the acoustic environment where noise pollution often masks the more pleasant sounds of the natural environment.
Her research also explores ways in which creative music technology can be more inclusive and diverse through the facilitation of community engagement projects and also thinking about ways in which her research can be presented to wider audiences. She is currently exploring ways in which different media are being used to bring soundscape studies into the wider community through VR projects, smart phone applications and streaming technologies.
Her works have been performed internationally at EMS, ACMC, ICMC, NYCEMF, ISSTA, ZKM, BEAST, Balance/Unbalance, SSSP, iFIMPaC, Sonorities and MANTIS. She has been guest composer at EMS, Stockholm and Associate Artist in Residence at Atlantic Centre for the Arts, Florida.
Brona is currently a Research Associate at the University of Kent, on the AHRC funded project, A Sonic Palimpsest: Revisiting Chatham Historic Dockyards. She is also a member of the SOUND/IMAGE Research group at the University of Greenwich.
Have a listen to some of her work here.
